Products

Canon established a presence in Asia in 1970 when Canon opened a manufacturing facility in Taiwan. Today, Asia has become an important sales & marketing and manufacturing base for Canon with 75,000 employees and operations in 10 countries and regions including China, Hong Kong, India, Korea, Malaysia, Philippines, Singapore, Taiwan, Thailand, and Vietnam.

UHD DIGISUPER 122

Broadcast lens with 122x zoom, outstanding 4K premium optical performance The UHD DIGISUPER 122 is a premium 4K broadcast lens that supports 2/3-inch cameras. Boasting an astounding 122x optical zoom that covers focal length range from 8.2mm (wide-angle end) to 1000mm (telephoto end; up to 2000mm with the built-in 2x extender), this lens promises dramatic footage of sports and documentaries. 4K performance is further supported by dependable image stabilization (IS), which reduces vibration over a wide range of frequencies and accurately identifies panning, making it possible to use the lens with IS always on. A new feature, “Bokeh Effect”, has been added to the lens, allowing the cameraman to have servo control over the focus on the wide end of the image with the use of an optional macro controller.

UHD-DIGISUPER 111

Our new, 4K Premium UHD-DIGISUPER 111 (UJ111x8.3B) broadcast lens features a 111x zoom, delivering an outstanding 925mm on the telephoto end (1850mm with the built-in 2x extender), and an impressive 8.3mm wide setting making it ideal for use in a wide range of in 4K UHD outside broadcast television productions. Designed to support 4K UHD systems, the 4K UHD-DIGISUPER 111 uses advanced design technologies, optical components and manufacturing processes to produce a lens with an extremely high overall optical performance that exceeds basic 4K criteria. Output video image performance is maximized when used with 4K UHD cameras. The lens embodies state of the art optomechanical and electronic advances, designed to capture HDR-compatible high-contrast 4K imagery and exceed the expectations of the world’s outside broadcast television operators.

UHD DIGISUPER 86

High optical performance surpassing 4K criteria The 4K Premium UHD-DIGISUPER 86 features optimal lens positioning along with advanced levels of component and body assembly precision, helping to minimize the occurrence of aberrations to less than half of conventional HDTV lenses. In addition to achieving a level of resolution surpassing that of 4K from the center to the peripheral areas of the image field, the lens employs a built-in 2x extender that allows users to instantly increase the zoom range two-fold—from 9.3–800 mm to 18.6–1600 mm—simply by pushing a button on the controller.Even at its maximum focal length of 1600 mm at the telephoto end, the UHD-DIGISUPER 86makes possible superior imaging expression with outstanding resolution performance exceeding that of 4K.

UHD-DIGISUPER 90

4K broadcast lens delivering enhanced optical performance The UHD-DIGISUPER 90 realizes exceptional optical performance and features an impressive 90x zoom ratio and 810 mm focal length at the telephoto end. Even when usingthe built-in 2x extender, which increases the focal range from 9–810 mm to18–1620 mm, the UHD-DIGISUPER 90 delivers exceptional resolution power supporting use with 4Kbroadcast cameras, even at its maximum focal length of 1620 mm at the telephoto end.

UHD-DIGISUPER 66

4K broadcasting lens with up to 600mm focal length and built-in 2x extender Compatible with 4K broadcasting systems, the UHD DIGISUPER 66 (UJ66x9B IESD) is a broadcasting lens that offers the practicality and operability of HDTV 4K. It is equipped with a 66x zoom magnification and covers up to 1200mm with the built-in optical extender, achieving high contrast and excellent resolving power over this entire focal length range in a wide frequency band from HDTV to 4K. The IS system is capable of accurately identifying panning, providing excellent support when shooting 4K where the slightest vibration can greatly affect image quality. The lens is equipped with a 20-pin connector (encoder position output enabled) which supports virtual system. This makes it ideal for the relay broadcasts of indoor and outdoor sports, or any other broadcast scenarios that involve the use of a mid-scale relay system.

UHD-DIGISUPER 27

UHD studio lens with beyond 4K resolution image quality Boasting of high optical performance that surpasses 4K criteria, this new, premium, state-of-the-art studio lens has powerful specifications that realizes smooth transition to 4K production, providing an ideal partner to the premium UHD DIGISUPER 27 field zoom lens.

Broadcast ENG/EFP Lenses

CJ45ex13.6BIASE-VH

The ultimate wildlife and live-sports lens, this 4K model balances stunning optical performance with advanced technology features. Convenient operation and lightweight portability are allied with an impressive 45x zoom ratio.

CJ45ex9.7B

Compatible with 2/3-inch type cameras and boasting a high 45x zoom magnification, this 4K EFP zoom lens provides a super telephoto zoom range of 9.7mm to 437mm (up to 873mm with an extender). It has a wide focus rotation angle of 180 degrees, improving focus operation even at long focal lengths. The use of special proprietary glass in the optics and the employment of a multi-group movable lens system enables the lens to deliver high definition 4K resolution over the entire zoom range, resulting in images with rich gradations and minimal ghosting and flaring-excellent for HDR production. The improved drive unit, which features a faster actuation mechanism, incorporates a 16-bit encoder that can export highly-precise zoom and focus positioning data, supporting the production of virtual footage. The new IS control engine has also resulted in improved image stabilization performance, and is now additionally capable of maintaining control rate at even higher vibration frequencies, such as when mounted on a vehicle. All these features ensure the realization of beautiful 4K footage, whether it’s for the relay broadcast of concerts and sporting events, or for filming a nature documentary.

CJ25ex7.6B

A high-end 4K broadcast lens that provides outstanding optical performance to support 2/3-inch 4K cameras. Despite weighing less than 2kg, CJ25ex7.6B packs in a 25x optical zoom that starts from focal length 7.6mm and reaches up to 380mm with the built-in 2x extender. Compatibility with BT.2020 and BT.2100 enables the achievement of high quality HDR footage. The digital drive unit with a high-resolution 16-bit absolute value encoder accurately detects position information, making detailed representation of images possible and calibration easy during CG synthesis.

CJ20ex7.8B

The CJ20ex7.8B delivers superior color reproducibility for outstanding expressive power, with the lens contributing to the creation of compelling video brimming with realism. The built-in 2x extender increases the lens’s focal range by two fold while maintaining 4K superior optical performance.

CJ12ex4.3B

A ground-breaking 2/3” 4K wide angle portable lens with 12x zoom and focal length that extends from an exceptional 4.3mm at the wide end to 52mm. Compact and lightweight, it’s the perfect way to bring high-quality 4K resolution to ENG and studio applications.

CJ24ex7.5B

Compatible with 4K 2/3-inch type cameras, this high-performance 4K ENG lens boasts a 24x zoom ratio and a built-in 2x extender, providing a telephoto zoom range from 7.5mm up to 360mm. Canon’s unique optical design ensures that users achieve the high image quality so important for 4K resolution images throughout the entire zoom range, even at the telephoto range when the extender is in use. The lens retains the practicality and usability of HD lenses even as it supports 4K recording, all within its 1.82kg body (IRSE S, main unit only). The high performance digital drive unit features a 16-bit absolute value encoder which is capable of accurate position information detection, thus providing strong source of support for virtual production such as the integration of CG footage.

CJ18ex7.6B

Compatible with 4K 2/3-inch type cameras, this high-performance 4K ENG lens weighs in at only 1.65kg (IRSE S, main unit only) making it ideal for portable cameras. It retains the practicality and usability of HD lenses even as it provides support for 4K recording. Equipped with an 18x zoom ratio and a built-in 2x extender, it achieves a total zoom range of 7.6mm up to 274mm. The high-performance digital drive unit features a 16-bit absolute value encoder which is capable of accurate position information detection, thus providing a strong advantage for production of CG footage.

CJ14ex4.3B

Compatible with 4K 2/3-inch type cameras, this high-performance 4K ENG lens is capable of an angle-of-view that starts as wide as 4.3mm, reaching as far as 120mm with a 14x zoom ratio and a built-in 2x extender. Canon's unique optical design provides the high image quality so important for 4K resolution images throughout the entire zoom range, even when the extender is in use. The high performance digital drive unit features a 16-bit absolute value encoder capable of accurate position information detection, providing a strong advantage for production of CG footage.

CJ18ex28B

4K superzoom broadcast lens with 2.0x built-in extender, capable of up to 1000mm A lightweight, compact 4K UHD superzoom broadcast lens capable of shooting up to 1000mm with the built-in 2x extender without the need for lens supporter. Equipped with Canon’s excellent optical technology and fulfilling the image quality requirements of 4K cameras, the lens also offers operability and good cost-performance. Its high mobility makes the lens suitable for news reporting, documentary and nature videography.

CJ15ex8.5B

A 4K UHD broadcast lens that offers advanced image stabilization in the form of Vari-Angle Prism IS, which enables stabilization over a wider range of vibration frequencies than the conventional optical-shift method. This, together with the lens’ compact, lightweight and portable design, enables seamless, stable 4K footage in a wider range of shooting situations, such as when the user is walking or on a moving vehicle, helicopter or bike. The use of Canon’s excellent optical technologies ensures that the image quality necessary for 4K production is also fulfilled.

HJ40ex14B

The HJ40x10B and the companion highly telephoto HJ40x14B represent the pinnacle of Canon portable high definition EFP lens design. These lenses are intended for producers and broadcasters engaged in documentary, natural history, and the many other challenging location productions that seek superb image capture over very considerable distances. These lenses embody superb built-in image stabilization system

HJ40ex10B

The HJ40x10B and the companion highly telephoto HJ40x14B represent the pinnacle of Canon portable high definition EFP lens design. These lenses are intended for producers and broadcasters engaged in documentary, natural history, and the many other challenging location productions that seek superb image capture over very considerable distances. These lenses embody superb built-in image stabilization system

CN-E14.5-60mm T2.6 L SP

A wide-angle zoom lens providing industry-leading breadth of range, the CN-E14.5–60mm T2.6 L SP delivers superb quality and exceptional creative control. Ideal for shooting everything from landscapes to confined interiors and robust enough for the most demanding high–end productions.

CN-E14.5-60mm T2.6 L S

An EF mount wide-angle zoom lens the CN-E14.5–60mm T2.6 L S offers industry-leading breadth of range and unrivalled optical performance - for greater creative control and outstanding results in high-end movie productions. Features industry-standard Manual Controls and a robust, user-friendly design.

CN-E30-300mm T2.95-3.7 L S

A telephoto zoom lens offering outstanding optical performance plus a broad range of creative possibilities, the CN-E30–300mm T2.95–3.7 L S rivals best-in-class zoom magnification and telephoto focal length. A robust design, exceptional usability and flexibility make it ideal for high-end movie production.

CN-E30-300mm T2.95-3.7 L SP

Offering wide to telephoto with just one lens, the CN-E30–300mm T2.95–3.7 L SP rivals best-in-class zoom magnification and telephoto focal length for extensive creative possibilities. PL mount compatible, it offers industry standard manual control for exceptional usability in demanding high-end productions.

CN-E15.5-47mm T2.8 L S

The CN-E15.5-47mm T2.8 L S/SP is a light weight Super 35mm cinematography lens for 2K, and 4K production formats. Available in EF mount.

CN-E15.5-47mm T2.8 L SP

The CN-E15.5-47mm T2.8 L SP is a light weight Super 35mm cinematography lens for 2K, and 4K production formats. Available in PL mount. 11-blade aperture diaphragm Minimised Focus breathing Precision back focus adjustments with lens markings on both sides Uniform Gear Positions, Rotation Angles and Front Lens Diameters Focal length of 15.5mm ~ 47mm PL mount

CN-E14mm T3.1 FP X

The new Sumire Prime series offers softer image rendering for more natural and impressive subjects. Having a unified design with the existing Cinema EF Primes, changing of lenses during on set will be a breeze. In addition, color balance has been made uniform throughout both series thus reducing the need for post grading. Having an odd number of iris blades, the diffracted light in the opposite direction does not overlap thus giving a more diffused and soft light rays.

CN-E20mm T1.5 FP X

The new Sumire Prime series offers softer image rendering for more natural and impressive subjects. Having a unified design with the existing Cinema EF Primes, changing of lenses during on set will be a breeze. In addition, color balance has been made uniform throughout both series thus reducing the need for post grading. Having an odd number of iris blades, the diffracted light in the opposite direction does not overlap thus giving a more diffused and soft light rays

CN-E24mm T1.5 FP X

The new Sumire Prime series offers softer image rendering for more natural and impressive subjects. Having a unified design with the existing Cinema EF Primes, changing of lenses during on set will be a breeze. In addition, color balance has been made uniform throughout both series thus reducing the need for post grading. Having an odd number of iris blades, the diffracted light in the opposite direction does not overlap thus giving a more diffused and soft light rays.

CN-E35mm T1.5 FP X

The new Sumire Prime series offers softer image rendering for more natural and impressive subjects. Having a unified design with the existing Cinema EF Primes, changing of lenses during on set will be a breeze. In addition, color balance has been made uniform throughout both series thus reducing the need for post grading. Having an odd number of iris blades, the diffracted light in the opposite direction does not overlap thus giving a more diffused and soft light rays.

CN-E50mm T1.3 FP X

The new Sumire Prime series offers softer image rendering for more natural and impressive subjects. Having a unified design with the existing Cinema EF Primes, changing of lenses during on set will be a breeze. In addition, color balance has been made uniform throughout both series thus reducing the need for post grading. Having an odd number of iris blades, the diffracted light in the opposite direction does not overlap thus giving a more diffused and soft light rays.

CN-E85mm T1.3 FP X

The new Sumire Prime series offers softer image rendering for more natural and impressive subjects. Having a unified design with the existing Cinema EF Primes, changing of lenses during on set will be a breeze. In addition, color balance has been made uniform throughout both series thus reducing the need for post grading. Having an odd number of iris blades, the diffracted light in the opposite direction does not overlap thus giving a more diffused and soft light rays.

CN-E135mm T2.2 FP X

The new Sumire Prime series offers softer image rendering for more natural and impressive subjects. Having a unified design with the existing Cinema EF Primes, changing of lenses during on set will be a breeze. In addition, color balance has been made uniform throughout both series thus reducing the need for post grading. Having an odd number of iris blades, the diffracted light in the opposite direction does not overlap thus giving a more diffused and soft light rays.

CN-E14mm T3.1 L F

The new Sumire Prime series offers softer image rendering for more natural and impressive subjects. Having a unified design with the existing Cinema EF Primes, changing of lenses during on set will be a breeze. In addition, color balance has been made uniform throughout both series thus reducing the need for post grading. Having an odd number of iris blades, the diffracted light in the opposite direction does not overlap thus giving a more diffused and soft light rays.

CN-E20mm T1.5 L F

A wide-angle fixed focus prime lens offering spectacular 4k image quality, the CN-E20mm T 1.5 L F provides a broad field of view to capture grand vistas or small interiors. With its 20mm focal length, it bridges the 14mm and 24mm gap for more precise shooting applications. Designed for an EF mount, it is compact, lightweight (1.2kg) and easy to use with seamless integration into current EOS Cinema systems in terms of color matching and user operation.

CN-E24mm T1.5 L F

A wide-angle fixed focus prime lens offering spectacular 4k image quality, the CN-E24mm T 1.5 L F provides a broader perspective to capture grand vistas or small interiors. Designed for an EF mount, it is compact, lightweight (1.2kg) and easy to use; a f/1.5 maximum aperture allows hand-held shooting in low light.

CN-E35mm T1.5 L F

Great in low light with fine creative control over depth of field, the wide-angle CN-E35mm T1.5 L F offers spectacular 4K image quality with full frame image circle in a light, compact EF mount body.

CN-E50mm T1.3 L F

From the Canon series of prime lenses, the CN-E 50mm T1.3 L F is a lightweight (1.3kg), compact fixed focal length lens designed for EF mounts. It offers spectacular 4K image quality and a full frame image circle plus great low light performance and fine creative control over focusing and depth of field.

CN-E85mm T1.3 L F

The CN-E 85mm T1.3 L F is a short telephoto prime lens designed for EF mounts Robust, compact and weighing only 1.1kg it offers spectacular 4k image quality, a natural angle of view and perspective and is ideal for low light shooting and shallow depth of field.

CN-E135mm T2.2 L F

Exceptional optical performance for 4K production Part of Canon’s range of EF Cinema prime lenses, the CN-E135mm T2.2 L F is a lightweight, compact fixed focal length lens designed for EF mounts. It offers spectacular 4K image quality and a full frame image circle plus great low light performance and fine creative control over focusing and depth of field.

CN7×17 KAS S/E1

A high-magnification Canon EF Cinema Lens supporting 4K resolution, including drive unit realizing operability of a broadcast lens , making it well suited to satisfy the diverse expressive techniques required in the creation of such broadcast content as television commercials, dramas and documentaries, as well as motion pictures and other cinematic productions. Also available in PL mount. Power Supply: In some cases the camera will be able to provide power to the lens through the mount. Otherwise the lens will require an external battery. Please ask Canon or any authorized dealers for details.

CN7 X 17 KAS S/P1

A high-magnification Canon EF Cinema Lens supporting 4K resolution, including drive unit realizing operability of a broadcast lens , making it well suited to satisfy the diverse expressive techniques required in the creation of such broadcast content as television commercials, dramas and documentaries, as well as motion pictures and other cinematic productions. Also available in EF mount. Power Supply: In some cases the camera will be able to provide power to the lens through the mount. Otherwise the lens will require an external battery. Please ask Canon or any authorized dealers for details.

CN20x50 IAS H/E1

The new CINE-SERVO lens features a 50–1000 mm focal length range and high 20x zoom magnification, the world's longest focal length2 and world's highest magnification in its class.2 Enabling new possibilities in imaging expression, the lens's exceptionally long focal length and superior optical performance, which facilitates use with large-format cameras and the capture of 4K-resolution video.

CN20×50 IAS H/P1

The new CINE-SERVO lens features a 50–1000 mm focal length range and high 20x zoom magnification, the world's longest focal length2 and world's highest magnification in its class.2 Enabling new possibilities in imaging expression, the lens's exceptionally long focal length and superior optical performance, which facilitates use with large-format cameras and the capture of 4K-resolution video.

CN-E18-80mm T4.4 L IS KAS S

A revolution in video production, the large-format Canon CN-E18-80mm T4.4 L IS KAS S brings high end quality cine-servo features like super-smooth servo zoom and focus at an affordable price point. Designed with an emphasis on mobility with a compact size and a weight of 1.2kg, it is optimally suited for a single person operation. The ease of servo and manual operation is great for shooting movies in professional applications - Manual rings provided for zoom, focus and iris operations as well as servo operations or manual operations can be selected by the user whichever ones fit best with the requirements of the shoot.

CN-E70-200mm T4.4 L IS KAS S

The latest Telephoto addition to the Compact Servo series, Canon CN-E70-200mm T4.4 L IS KAS S features a constant T4.4 throughout its 70–200 mm focal length range and a level of optical performance which supports the use with 4K Super35 cameras. With its excellent operability to accommodate various shooting styles, this new Canon Cinema lens serves the needs of diverse on-location shooting situations ranging from documentaries and journalism to telephoto shooting for nature and sports.

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